The 82nd Annual Academy Awards

Oh yes, the Oscars. I feel like saying something about them. The show itself is less than 24 hours away. And, needless to say, I’ll be there with the usual bells on. I’m feeling pretty wary about the broadcast, though. Word is show organizer Adam Shankman is hell-bent on emphasizing comedy, turning the event into some sort of late night talk show meets The Surreal Life. I guess if we must be force-fed comedy, then co-hosts Alec Baldwin and Steve Martin are as equipped as anybody to make it reasonably palatable. I actually thought host Ricky Gervais did a pretty good job avoiding the usual pot-holes at the Golden Globes. So if the Baldwin-Martin combo comes anywhere near his level, I’ll consider it a success. Shankman seems determined to get winners on and off stage as rapidly as possible with a minimum of fuss. But isn’t that fuss exactly what we die-hard Oscar watchers love most? Why not just position the winners at starting blocks, shoot a pistol in the air, then make them holler out their acceptance speeches as they run the 100 yard dash? I believe Shankman and company have also put the kibosh on the traditional performance of the five nominated songs? WTF? Granted the songs are no great shakes. Sue me, but I think that T-Bone Burnett thing from “Crazy Heart” is pretty flipping meh.The one I liked best this year was that strange song mind-blowingly performed by some chick in a 60’s nightclub in “An Education”. But it didn’t make the cut - just so Disney's "Princess and the Frog’ could double-dip. It seems Shankman will, though, be finding time to infest the proceedings with a bevy of his favourite hip hoppers and B-boys from “So You Think You Can Dance.” Get ready for some serious glassing over of the eyes from all those in the auditorium over 60. And, oh yeah, the latest  lifetime achievement awards were quietly passed out in some back room a couple of months ago. So don’t expect to see this year’s winner Lauren Bacall anywhere near a spotlight tomorrow. Will they dispense with the traditional necrology too? On the theory that nothing much happened artistically before Stephenie Meyer wrote “Twilight”?

Anyway, as I said, I’ll still be watching. I hardly saw any new films this year till around October, then furiously started playing catch-up. Still haven’t seen some of the biggies. I fully expect to like “The Road” with Viggo Mortensen. And the trailer for “The White Ribbon” makes it look like – at very least – a visual dazzler. I feel some sort of completist urge to eventually watch “The Blind Side”. I mean, I like Sandra Bullock as much as the next guy. But in the normal course of things, football movies served with a side-order of rightwing religious zeal aren’t generally my thing. “Me and Orson Welles” is still on my “to see’ list – though the nominations some predicted failed to materialize. And I think I’m going to enjoy “Everybody’s Fine’. Although “everybody” seems to be pretending this movie never existed. But, for me, the combo of DeNiro, Drew and Sam Rockwell provides three very good reasons to be optimistic. Jeff Bridges probably should have won already – maybe for “The Fabulous Baker Boys” in the 80’s. I haven’t seen “Crazy Heart” yet but the trailers leave me unenthused. Warmed over beans ladled onto a Tender Mercies Taco. It’s too bad Colin Firth and George Clooney both gave the performances of their lives in a year when the Academy seems determined to turn the Best Actor award into a career-acknowledging pat on the back for (the admittedly gifted) Bridges. Certainly, in the Oscar poll at work, I predicted a Bridges win. I also ticked off the names of Christoph Waltz and Mo’Nique, both of whom steamrolled victoriously through all the precursors this year, leaving their competitors gleaning the fields for stray votes here and there. I expect “The Hurt Locker” (a fine movie) to take Best Picture. An “Avatar” win would definitely stick in my craw. It struck me as a mega-budget mix of noise, lethargy and half-baked New Age platitudes. The 3D wasn’t even that great – except when they showed the 20th Century Fox logo at the beginning. That was the best part of the movie.

As far as my personal choices this year go:

Best Picture:

1. A SERIOUS MAN

2. IN THE LOOP

3. DISTRICT 9

4. INGLOURIOUS BASTERDS

5. PRECIOUS

6. THE HURT LOCKER

7. A SINGLE MAN

8. BRIGHT STAR

9. LYMELIFE

10. SIN NOMBRE

“Outlander” isn’t really eligible this year. Sadly, it went straight to DVD. But it’s a handsomely produced and super-engaging sci-fi fantasy with James Caviezel as a spaceman who crash lands into 9th century Viking country. It gave me the same kind of fun I got (and still get) from the Kirk Douglas-Tony Curtis chestnut “The Vikings”. Plus I’m generally up for spending quality time with Mr.Caviezel. Although I must say I’m no fan of the torture-porn opus“The Passion of the Christ”. I’m paraphrasing, but I remember one observer suggesting you might not learn much about Jesus from the film but you’d certainly come away fully versed on the nuts and bolts of mounting your own DIY crucifixion

Other 2009 titles I enjoyed included Drew Barrymore’s winning directorial debut,“Whip It.” And Roland Emmerich’s apocalypse-around-the-corner epic “2012”. Have we become so jaded about visual effects that “2012” can’t even scratch up a nomination in that category?I made it a point to see it in a theatre , hoping for wall-to-wall spectacle and - as far as I’m concerned - got very big bang for my buck.

More of My Personal Choices:

Best Actor:

1. COLIN FIRTH “A Single Man”

2. GEORGE CLOONEY “Up in the Air”

3. JEREMY RENNER “The Hurt Locker”

4. MICHAEL STUHLBARG “A Serious Man”

5. SHARLTO COPLEY “District 9”

Honorable Mention

JOAQUIN PHOENIX “Two Lovers”

Best Actress:

1. CAREY MULLIGAN “An Education”

2. ABBY CORNISH “Bright Star”

3. GABOUREY SIDIBE “Precious”

4. ELLEN PAGE “Whip It”

5. MAYA RUDOLPH “Away We Go”

(and yes, I did see “Julie and Julia” but I hate loathe and despise Meryl Streep’s comedy technique. Always have. Suppose I always will. Certainly this one didn’t change my opinion one bit. How many times have actors and acting experts said that you should never play comedy as if you’re aware you’re being funny. To me, Streep always seems to be doing just that. “Look at me. Aren’t I hilarious?” This time out she adds an extra-big elbow-in-the-ribs helping of “Aren’t I adorable?” too. No sale.

SUPPORTING ACTOR:

1. TOM HOLLANDER “In the Loop”

2. DENIS MENOCHET “Inglourious Basterds”

(he’s the French farmer at the beginning and I know it’s technically just a cameo; but if we’re

going by quality not quantity, he’s gotta be included among the year’s very very best)

3. TIMOTHY HUTTON “Lymelife”

4. PETER CAPALDI “In the Loop”

5. FRED MELAMED “A Serious Man” (he’s unlikely homewrecker Sy Ableman)

Honorable Mention

CHRISTOPH WALTZ “Inglourious Basterds”

ALEC BALDWIN “Lymelife”

JONATHAN GROFF “Taking Woodstock”

ANTHONY MACKIE “The Hurt Locker”

BRIAN GERAGHTY “The Hurt Locker”
DANIEL BRUHL "Inglourious Basterds"

SUPPORTING ACTRESS:

1. MO’NIQUE “Precious”

2. MIMI KENNEDY “In the Loop”

3. MELANIE LAURENT “Inglourious Basterds’

4. PAULA PATTON “Precious”

5. VERA FARMIGA “Up in the Air”

Honorable Mention

MARIAH CAREY “Precious”

JILL HENNESSY “Lymelife”

KERRY FOX “Bright Star”

ANNA CHLUMSKY “In the Loop”

ALIA SHAWKAT “Whip It”

MARCIA GAY HARDEN “Whip It”

See you at the ceremony ...